“Welcome to Luanne Castle’s Kin Types, where every piece, poem or prose, is a ghost –-but not the sort you can see through. You see, Castle’s ghosts have been resurrected through powerful emotion and startling detail, have been made suddenly solid and real again with a skill that brings to mind the work of Edgar Lee Masters. Herein we find all the heart and heartbreak of ordinary lives from the past finally valuated properly, given their own set of lines and stanzas, their own sentences and paragraphs, the attention and care of a gifted and sympathetic writer. Which is to say, you’re going to want to stick around for a while. Kin Types exists at the precise place where literature and history intersect to make something both beautiful and true.”
– Justin Hamm, author of American Ephemeral, Editor of The Museum of Americana
“Luanne Castle’s Kin Types is based largely upon genealogy and a fascination with what comes to all of us from the past. A mix of poetry in the traditional sense and highly poetic prose pieces, the collection takes the reader on a journey into the lives of women and somewhat into the lives of men who must carry on alone once the women are gone. The journey of this collection is not a ramble into the past, but a slingshot into the here and now by way of these portrait tales.
Castle explores the warnings and quirks of relatives in poem after poem. Perhaps Castle is also issuing a warning in Advice From My Forebears to those whose lives are lived by the word and pen: Don’t quit writing like I did. Make me a promise. The whole collection is a promise, and not to be missed, whether for its flashlight into the past or its beam into the future.”
– Carol Willette Bachofner, Poet Laureate Emerita of Rockland, Maine
Luanne Castle’s debut poetry collection, Doll God, studies traces of the spirit world in human-made and natural objects–a Japanese doll, a Palo Verde tree, a hummingbird. Her exploration leads the reader between the twin poles of nature and creations of the imagination in dolls, myth, and art.
From the first poem, which reveals the child’s wish to be godlike, to the final poem, an elegy for female childhood, this collection echoes with the voices of the many in the one: a walking doll, a murderer, Snow White. Marriage, divorce, motherhood, and family losses set many of the poems in motion. The reader is transported from the lakes of Michigan to the Pacific Ocean to the Sonoran Desert.
These gripping poems take the reader on a journey through what is found, lost, or destroyed. The speaker in one poem insists, “I am still looking for angels.” She has failed to find them yet keeps searching on. She knows that what is lost can be found.